1960s Camel Wool Coat
A beautifully structured double-breasted coat in warm camel wool. Original buttons, fully lined, minimal wear. A wardrobe anchor.
The Collection
A rotating selection of vintage clothing, antique furniture, and rare objects — each piece chosen for its quality, character, and history. The collection changes as new things come in and others find new homes.
A beautifully structured double-breasted coat in warm camel wool. Original buttons, fully lined, minimal wear. A wardrobe anchor.
Ivory silk with hand-rolled hem and original pearl buttons. The kind of piece that photographs beautifully and wears even better.
Supple brown leather with brass hardware and a perfectly broken-in patina. Unisex cut, exceptional condition for its age.
Midnight blue silk with hand-sewn seed pearl beading across the bodice. A genuine showpiece from the golden age of American couture.
A stunning early 1960s coat in ivory cream wool, featuring a plush fur-trimmed collar and elegant ball button closures. Structured silhouette with a timeless ladylike refinement — a true wardrobe statement piece.
A rare find from a Paris XVIe haute couture house — Hélène Roy. Clean A-line silhouette in oatmeal wool with a structured collar and minimal detailing. The kind of coat that defined 1960s Parisian chic.
A polished two-piece set in rich cognac leather from Talbots Petites. The structured jacket pairs with a coordinating skirt for a look that reads boardroom-ready with a vintage edge. Size 8.
A bold 1970s–80s dress in a striking geometric print, labeled "The African Village" and made in Pakistan. The pattern commands attention — graphic, confident, and completely of its moment.
A vibrant cobalt blue dress with a white floral print from Talbots. Style 4905, Size 8. Clean lines and a flattering silhouette — the kind of dress that works as hard as it looks good.
A cheerful coral day dress in a delicate floral print from Montgomery Ward. 1960s–70s vintage with an easy, relaxed silhouette. No size tag — best for a small to medium frame.
A soft 1980s dress in a watercolor floral print from RGY. Style 1051/22840, Size 10, Made in USA. The kind of dress that feels effortless — pretty without trying too hard.
A refined petite jacket in blush pinks, sage green, and cream woven brocade from Classics by Valerie Stevens. Petite Size 10, Made in USA. Elegant enough for a special occasion, understated enough for everyday.
A boxy open-front jacket in hot pink with black polka dots and black sequined flower appliqués from Outlander. Size L, Made in Hong Kong. Patch pockets, bold personality — this one doesn't whisper.
A fluid black dress from The Kohler Collection — clean lines and a draped silhouette that speaks to the quiet confidence of American sportswear at its best. ILGWU union made. Size 18. Made in USA.
A striking two-tone dress with a silver-grey metallic pleated bodice and a fluid black skirt. The pleating has an almost architectural quality — structured and sculptural up top, effortless below. Montgomery Ward, Style 496, Size 18.
A richly patterned straight skirt in a jewel-toned paisley print — navy, red, gold, and green swirling across a deep indigo ground. Talbots, Size 8, Made in Dominican Republic. The kind of skirt that anchors an entire outfit.
A classic black dress with an allover white polka dot print — notched collar, short sleeves, gathered waist, and a full below-the-knee skirt. No label, but the construction and silhouette read mid-century American. Timeless and endlessly wearable.
Original horsehair stuffing, mahogany legs, and a deep burgundy velvet that has aged into something extraordinary. Structurally sound.
Solid walnut with a leather inlay surface and original brass fittings. Three drawers, all functioning. A working desk with presence.
Teak side table with tapered legs paired with its original ceramic lamp base. A matched set that has stayed together for sixty years.
A substantial carved gilt frame with original mercury glass. Some foxing to the glass — which only adds to its character. Circa 1880.
A grouping of five hand-thrown vessels by an unknown mid-century studio potter. Warm earth glazes, each piece signed on the base.
Striking high-waisted trousers in a rich teal/turquoise. Tapered leg with cuffed hems — a silhouette that defined the decade. WPL 1100, Size 10, Made in Hong Kong.
The collection changes regularly. Get in touch and tell me what you have in mind — I may have something coming in, or I can keep an eye out for you.